Certainly, I have heard a lot about the glory of Astana Opera and its outstanding soloists. The vocal art of Kazakhstan is known throughout the world precisely thanks to Kazakh singers, who have bright, powerful voices with rich timbres," the pianist says.
A solo performance for me is an opportunity for self-expression, subject to maximum adherence to the author’s will. In any case, this is an individual interpretation of the composer’s text. Performing in a creative union, in a musical dialogue with a vocalist, dictates other forms of being onstage. As is known, the development of the chamber vocal genre at the beginning of the 20th century was characterized by one distinctive feature - the growing role of the piano part, which from now on acquired equal importance with the singer’s part. It is precisely this exceptional richness, color and variety of forms that distinguishes the piano accompaniment in Rachmaninoff’s art songs. This is despite the fact that his melodically bright, prominent vocal part never gets lost in the dense thick canvas, clearly standing out against its background. Equally as often the piano has a special melodic voice intertwined with the vocal line, resulting in an expressive dialogue between the two partners. Nevertheless, whatever the degree of complexity and form of presentation, the parts of the voice and piano are almost always in close interaction, forming a single inseparable artistic whole. Of course, in our performances in the A Date with Art Song vocal evening with both Bibigul Zhanuzak and Azamat Zheltyrguzov, we would like to achieve such a harmonious interaction that will ultimately create this picture of an inseparable artistic whole," Madina Faizieva shared.
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